The image of the path is deeply resonant with my understanding of what it means to follow Jesus faithfully. There's something about walking boots, a rucksack, food and water for the journey that turns a mountain hike into something as spiritual as it is physical.
Hillwalking is the image of the hymn I chose for my Ordination. And the following of the path that is Christ informs the entire hymn, weaving obedience and trust, perseverance and grace, into a prayer of dedication to the journey, and the One who goes before.
The photos were taken up Bennachie today, from the Mither Tap (1699 feet). Standing between the massive rocks, looking down onto the hill range below what you see is a visual image of "a long obedience in the same direction". Below is the first verse of the hymn, Christ of the Upward Way; it is followed by a favourite poem by the early 17th C poet Giles Fletcher. The first line of the stanza I quote has virtually been a Christian mantra at those times when my life hasn't been straightforward, the path isn't clear, the hill is rocky and the body is tired. But He has led me in right paths, for His name's sake. I've believed even when the evidence wasn't in, that "to trust in God with all my heart" is to find that he directs my paths. I have deep affinities with Benedictine spirituality and love the Rule of Benedict as a moderate, sensible framework for Christian obedience, and that first chapter which begins with the promise "I will run in the paths of your commandments.
No I'm not always consistent in practice; but Jesus said he was the way, the truth and the life, and his call to follow faithfully after him remains for me the homing call of the heart, the magnetic North of the soul, and the Gospel of reconciliation in Christ, remains the truth around which the mind finds its orbit, with the prayer, that, in the honesty and humility of a grace not mine, "every thought can be captive to Christ."
Christ of the upward way,my Guide divine,
Where Thou hast set Thy feet, may I place mine;
And move and march wherever Thou hast trod,
Keeping face forward up the hill of God.
Giles Fletcher, from his poem,
The Incarnation
He is a path, if any be misled;
He is a robe, if any naked be;
If any chance to hunger, he is bread;
If any be a bondman, he is free;
If any be but weak, how strong is he!
To dead men life is he, to sick men health;
To blind men sight, and to the needy wealth—
A pleasure without loss, a treasure without stealth.
The Exegetical Captivity of the Book of Ruth
This is an interesting list of names.
Athalya Brenner
Kathryn Pfister Darr
Tamara Eskenazi
Kathleen Farmer
Marjo Korpel
Kirsten Nielsen
Katherine Sakenfeld
Karin M Saxegaard
This is another interesting and longer list of names
David Atkinson
Daniel Block
Frederic Bush
Edward Campbell
Robert Chisholm
Iain Duguid
Daniel Hawk
Robert D Holmstead
Robert Hubbard
Andre Lacoque
Tod Linafelt
James McKeown
Leon Morris
Roland Murphy
Jack M Sasson
K Lawson Younger
The first list comprises women biblical scholars who have written a commentary or monograph on the biblical book of Ruth. The second list comprises men who have written a commentary on Ruth - the number of monographs by men would lengthen the list considerably. And my point is? Well I have several points.
1. Around half of the women writing on Ruth write from within the Jewish tradition, and all of them, Jewish and Christian, take cognisance of feminist and womanist perspectives. Question: Can a man write an adequate commentary on a book in which women's experience is definitive and central in the story? Is gender irrelevant to how a person approaches a narrative text like Ruth?
2. The list of men commentators covers almost all the mainstream series of Old Testament Commentaries in English. The exceptions are Nielsen in the Old Testament Library, Farmer in the New Interpreter's Bible and Sakenfeld in Interpretation Commentary. Question: when editors commission scholars to write commentaries on biblical books, do they consider the advantages of having a woman write a commentary on a book so replete with women's experience in a patriarchal society?
3. Is gender relevant when choosing someone to write on a biblical text? Like Ruth, or Esther, or Song of Songs? What would a woman bring as scholar, and as woman, and therefore as woman scholar, to the approach and interpretation of any biblical text; but especially a text telling a complex narrative of women's life experience?
4. I have looked at the most recent commentaries and those forthcoming - they are still predominantly commissioned to men. James McKeown, Robert Chisholm, Lawson Younger and in a month's time Daniel Hawk in the Apollos series; these are all recent, and written by men and they are all appearing in series within the evangelical tradition.
5. Of those forthcoming there is Marjo Korpel in the highly academic HCOT series and Kandy Queen-Sutherland in the more accessible Smyth and Helwys volume. All else is commissioned to men.
I know - books like Ruth and Esther were most likely written by men, and reflect the social structures and mores of their time. But surely in trying to explore and expound the meaning of such texts for the original readers, and in seeking the contemporary appropriation of these texts as part of the Church's Bible, it would make sense to value and actively seek those whose own life experience gives access to the complexities and anomalies in a book such as Ruth? Or is that unreasonable, special pleading, patronising, or what?
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