Some Captions as Hermeneutic Suggestions.
"How come they didn't find my sword when they strip searched and jailed me?"
"My feet are killing me!"
"Come on think, think! What was that guy's name again, came from Philippi, begins with an E..."
"Wish they'd invent email and data sticks!"
"God, I need a good PA - I hate paperwork."
Happy to hear other caption suggestions for this painting.
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The above is one of my favourite portraits of Paul the Apostle. Not the armour clad Caravaggio's muscle bound warrior, more the frail and hunted ageing apostle much less sure of himself. Is he ever going to leave prison - he doesn't know, so he has one sandal on and the other under his foot to keep it warm, how beautiful the feet that bring good news.
The books on his bed are almost as big as some recent works written about him by Jewett, Campbell and Wright! More seriously, this is the premier theologian of the nascent church thinking his way towards an adequate theology of the One he calls Lord; or maybe he's wondering just what he needs to write to those migraine inducing Corinthians whom he loves and longs to see grow up!
The sword, lying against those massive tomes, is no longer the persecutor's tool of trade, it is the Word of God, cruciform, the sword of the Spirit. He is blissfully unaware that his own face is radiated by the light of Jesus Christ, he is no longer lost, just lost in wonder, love and praise - even if his expression is a mixture of apprehension and contemplative puzzlement
The stylus is in his left hand - was Rembrandt left-handed, the most natural explanation for showing Paul like this. And the stylus is inactive, awaiting the clarity of thought that perhaps only an apostle who doesn't have delete and cut and paste has patience for, and therefore what is written has to be first thought, because papyrus and ink are unforgiving materials in the service of a forgiving Gospel.
What particular thought is he struggling with - Perhaps that moment of illumination when he, like the rest of us was unsure of God's purposes, and as he weighs the possibilities, "For to me living is Christ, and dying is gain....I am hard pressed between the two: my desire is to depart and be with Christ, for that is far better; but to remain in the flesh is more necessary for you Philippians."
This portrait is of an apostle both vulnerable and uncertain, not a hint of self-confidence but somewhere deep in the heart's core, a love that inspired recklessness, persistence and some of the greatest thinking about God in Christ the church would ever know.
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