Had a good day yesterday when important things have been done, said and enjoyed. Journeyed to Glendoick to meet my friend Ken where we spent several hours at the garden centre. In the taciturn and occasionally nasty summer we're having the day was sunny, clear views for miles and the roads still quietish at the end of the school holidays. We don't get the chance to meet often so we tend to make a meal of it. This time we made two meals of it, a bacon and egg roll and a pot of tea, an hour's walk, then Carrot and orange soup with herb scones.
We've been friends more than half our lives and though we'd planned another bookshop crawl in Edinburgh, a civilised conversation over good food for three hours was much to be preferred.
Got home and listened to Albinoni's Oboe Concerto in D Minor while writing and reading, and gloating (no other word will do) over recently bought books. The slow movement of this concerto should be played quietly while reading one of the great narratives of divine and human tenderness in the gospels - for me the encounter of Mary Magdalene with Jesus in the garden.
Of the books being gloated over the one I read next will be The Yellow House, Martin Gayford, (Penguin) is the account of Van Gogh, Gaugin and nine turbulent weeks in Arles. Two geniuses with all their psychological complexities, artists at the zenith of their talent and the extremes of innovation, both eager for friendship but encountering in each other the greatest obstacle to mutual friendship! While working on the Sunflowers tapestry I'm keeping in touch with Vincent in different ways - not trying to understand him, which I think is neither possible nor necessary. But to know the whence of the chaos and the wherefore of the genius, to accept and respect the relationship between his illness and inner turmoil and the immense achievements of his art, and to have an emotional context out of which to work an impression of his favourite painting, and the focus of his desperate longing for sunlight, hope and inner rest.
One of the traits of the bibliophile is gloating over a forthcoming book yet to be printed! This one brings together the Christian whose writing has shaped my own spirituality and thinking in ways decisive for my view of ministry, myself, human relationships, the nature of prayer and the paradoxical imperatives of community, silence and solitude as places and times where and when God is to be found. Ever since I read The Seven Storey Mountain, followed by Thoughts in Solitude I have never had a year when I haven't read Merton's writing. This forthcoming book is by Rowan Williams, and I can't think of someone I'd rather have exploring and reflecting on Merton's continuing relevance in a world where the things Merton made deep concerns remain deeply concerning - cultural conflicts, violence, consumer greed, cultural superficiality and human creativity turned against human interests and flourishing. Merton's great insight that the contemplative was a necessary presence in a world in desperate need of redemption, righteousness, peace and justice remains a major portion of his legacy that is of enduring value. He spoke into the cultural urgencies and reconfigurations of the 50's and 60's and much that he wrote remains valid half a century later. Is that because human nature, our profligacy and pretensions, our anger, angst and anxiety, our propensity for self-preservation and self-harm, remain humanity's greatest threat? And thus a great and fallible human being like Merton can bring together the contemplative and the active, the promise of divine grace enabling human goodness, the monk as holy person in whose prayers are gathered up the broken pieces of a God loved world?
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