Recently listened to some of the tracks on this CD on Classic FM. My own copy arrived the other day. Captivating.
For myself? Not sure how to preach on Song of Songs in ways that would avoid a mass exit by those uneasy with the idea that love, physical, passionate, deliriously, intoxicatingly overwhelming love is itself a gift of God. Yes agape as indefatigable good will. And yes, phileo as faithful friendship. But eros? That too God's gift? Explicitly descriptive? Legitimate desire? Incurable infatuation with the other? The ache of delight and the joy of longing?
Yes. All of that, and here, in the love poetry of the Song of Songs, set to music by one of the finest contemporary composers and with a Welsh soprano soloist whose voice exults in the language and music of the heart's desire. No wonder this series of poems, found tucked between the gentle cynicism of Ecclesiastes and the great Isaianic trilogy of defiant trustful hope, has survived as a statement of what human love is when two people discover in each other a love that demands language at its best.
But even then language can fail. Sometimes the reality of human love doesn't live up to the language of love, while at other times our language describes fantasy in terms that make us discontented with the reality that love between fallible humans is. The truth is, human love is seldom unambiguous, unmixed blessing, pure in motive and selfless in gift. It is after all human. But where there is faithfulness and companionship, persistence as well as passion, patience as well as urgency, and giving as well as receiving, then something is being shaped that mirrors the love of God.
Christian spirituality has plundered this book for images of divine love, metaphors for the soul's love of God and Christ's love for the Church. From Bernard of Clairvaux's 86 sermons, to the intense intimacy of Samuel Rutherford's descriptions of Christ the Beloved, the Song of Songs has provided powerful descriptions of Christian devotion. But read at another level altogether, the level of human relationships in all their perplexities and passions, these poems provide a theology of human createdness and human creativity. "To the extent that [the Song of Songs] is about anything, it is especially about male and female expressions of love and intimacy, the communion of self with the other, and the riddled journey toward mutuality". (New Interpreter's Bible, Renita Weems on Song of Songs, Vol. V., page 423.
Here is a CD which is itself an exercise in biblical exegesis, and the hermeneutical principle which compels attention and invites some understanding, is the way the poems, and their musical performance, capture our all too human love and longing, for that which is beyond us, but not so far beyond that we are discouraged from reaching for it in persistent hopefulness.
Radio 3 did an evening on the music of the Song of Songs about 2 years ago and through a tangential series of links I ended up doing some of biblical / historical reflection that accompanied the music. I pretty much took Weem's line of thought and reflected on expressions of human desire and intimacy ... which kind of spooked a friend of mine who was listening to my voice naked in the bath!
Michael Frost tells the story in his book Exiles, of a married couple who were asked to read this at a worship serivce and when the reading was complete, they spontaneously kissed each other.
Is this another CD I should invest in?
perhaps a trip to Spotify first ... see my blog yesterday!
Craig
Posted by: Craig Gardiner | May 13, 2009 at 09:06 AM