The great intercessor must possess an extreme sensitiveness to the state and needs of souls and of the world. As those who live very close to nature become tuned to her rhythm, and can discern in solitary moments all the movements of her secret life, or as musicians distinguish each separate note in a great symphony and yet receive the music as a whole; so the intercessor…is sensitised to every note and cadence in the rich and intricate music of common life. He stretches out over an ever wider area the filaments of love, and receives and endures in his own person the anguish of its sorrow, its helplessness, its confusions, and its sin; suffering again and again the darkness of Gethsemane and the Cross as the price of redemptive power. For it is his awful privilege to stand in the gap between the world’s infinite need and the treasuries of the Divine Love.
Imaginative, theologically sensitive, a practical mysticism of intercession as love for the other and as redemptive activity. Writing like this is one reason Evelyn Underhill remains a spiritual writer whose work expands our sense of God, and helps us notice His work in our lives.